BMW Werk Leipzig by Alastair Wiper

I was invited to BMW’s huge, sprawling factory in Leipzig to document MINI’s and BMW’s on the production line. Each day, a team of over 9,000 workers produce up to 1,300 cars. This place is big.

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They're Dying to Get in Here by Alastair Wiper

 

What happens to our bodies when we die?

'They're Dying to Get in Here' is a study of death through the daily practices of an ordinary American funeral home. At Avenidas Funeral Home in a suburb of Phoenix, Arizona, people are prepared for burial or cremation in a ritual that takes place thousands of times a day around the world. Embalmers prepare bodies - arms and legs are massaged to relieve rigour mortis, the face is set, blood is replaced with embalming fluid, and the body is groomed. After a funeral, the body is buried, or cremated at their facility in Tucson.

This series shows a rare glimpse into a subject that none of us can escape. The question of what happens to our bodies when we die leads us on a journey through various realms of contemplation and endeavour, underscoring the complexity and profundity of human attitudes toward mortality and inviting viewers to ponder the mysteries that lie beyond our mortal coil.

 

Nevada Nuclear Weapon Test Site, USA by Alastair Wiper

The Nevada National Security Site, 105 km northwest of Las Vegas, was established in 1951 to test nuclear devices. Covering approximately 3,500 km2 of desert and mountainous terrain, atomic testing at the site began in 1951. Over the subsequent four decades, over 1,000 nuclear explosions were detonated at the site …

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Titan II Nuclear Missile, Arizona, USA by Alastair Wiper

The Titan II nuclear intercontinental ballistic missile carried the most powerful nuclear warhead ever built by the United States. At 9 megatons, it was about 600 times more powerful than the bomb dropped on Hiroshima. Between 1963 and 1987, 54 missiles were on 24-hour alert, 365 days per year, spread through Arizona, Arkansas and Kansas …

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Pleasure Points by Alastair Wiper

“We don’t recommend oral sex. There are gears in there. I mean you can mess things up, you can mess yourself up. She’s got the mouth and everything moves, but we don’t recommend it. It’ll kind of ruin the whole thing.”

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Embassy of Denmark, London by Alastair Wiper

I was commissioned to photograph the buildings of the Danish Embassy in London, designed by Arne Jacobsen in the late 70s, for this wonderful new book published by The Danish Architectural Press and designed by Studio Atlant. Click here to find out more and get your copy …

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Unintended Beauty Exhibition Captions by Alastair Wiper

Pleasure Points Installation Views by Alastair Wiper

In June 2021 Pleasure Points was on show at Copenhagen Photo Festival, this is what it looked like.

Pleasure Points (2019) is a journey exploring California’s pleasure product industry; sex doll workshops, family-run dildo factories and virtual reality porn sets. It shines light on the way people take control of their sex lives and sexual identities—choosing where, how and when they get their sexual satisfaction. The series documents the diversity, but also the creativity and technology behind the products created.

At the factory of Doc Johnson, 450 employees produce around 75,000 dildos, vibrators, masturbators, butt plugs and more every week. Produced with increasing connectivity, couples can control each others’ products remotely, allowing interaction over long distances.

At the RealDoll workshop around 30 sex dolls are created per month. Each is completely customisable—from hair, to lips, to nipples, to vagina (there are more than 10 types), some have robotic heads and can interact with their owner. " ... a lot of people are lonely," explains Jeff, who works in the workshop. "They want somebody there, you know, they've lost their wives or boyfriends, girlfriends."

Technology is also playing its part in the porn world. VR Bangers produces highly immersive virtual reality porn shot in a 180-degree point-of-view (POV) angle. In this scenario users wear a headset and can look around as if they are in the room as the star of the show.

With these products more people are gaining control of a part of their life that up til now has been dependent on a relationship with another human.

BIOGRAPHY

British photographer Alastair Philip Wiper (Hamburg, 1980) has received international recognition for his work in the industrial, scientific and architectural fields. Alastair’s signature is defined by a unique understanding of lines and symmetry, colour and contrast, often combined with dark humour. As well as working commercially for brands such as Google and Nikon, his work is regularly featured in publications such as Wired, Vice, Scientific American and The Guardian. His prints are included in the collections of institutions such as the Design Museum in London, the Royal Institute of British Architects and Bank Vontobel in Zurich, and he has produced several books, including Unintended Beauty (Hatje Cantz, 2020) and The Art of Impossible (Thames & Hudson, 2015). Alastair has exhibited at institutions such as The Royal Institute of British Architects, London, and the Musée des Arts Décoratifs et du Design (MADD), Bordeaux, France.

The exhibition is beautifully printed, framed & made possible with support from Grafik & Foto. The festival centre and CPF has generously been supported by Københavns Kommune, Det Obelske Familiefond and Aage og Johanne Louis-Hansens Fond.